Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Pontormo, Jacopo
Christ the Judge with the Creation of Eve

ID: 43592

Pontormo, Jacopo Christ the Judge with the Creation of Eve
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Pontormo, Jacopo Christ the Judge with the Creation of Eve


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Pontormo, Jacopo

b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556). Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo  Related Paintings of Pontormo, Jacopo :. | Group of the Dead | Leda and the Swan | Madonna and Child with St. Joseph and Saint John the Baptist | Moses Receiving the Tables | Portrait of a Lady in Red |
Related Artists:
FLORIGERIO, Sebastiano
Italian painter, Friulian school (b. ca. 1500, Conegliano, d. 1543, Udine).
Walter Crane
English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.
Joseph Israels
1824-1911






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